Showing posts with label Miracle at Santa Anita. Show all posts
Showing posts with label Miracle at Santa Anita. Show all posts

Tuesday, October 22, 2013

Hannah Strong 2.0 (Updated)


Below is an excerpt from the updated version of Hannah Strong, which will be available for free download from Smashwords until noon on Saturday November 9th. After that, it will be 99 cents on Smashwords and Amazon. In addition to the updated story, the preview chapter of Miracle at Santa Anita is also included as bonus material.

Download via Smashwords

Download via Amazon


Hannah breathed in the multifaceted smell of leather, hay, and ointment. Everyone had his or her favorite fragrances. Only two in the world mattered to her: Chanel No. 5 and stables. If there were ever a candle born with either scent, she would have one in each room of the apartment.
As Hannah walked down the long corridor, the residents greeted her with their long faces that ended with velvet muzzles. Their eyes were kind; something that escaped hardened city people. Life happened and took prisoners. Horses were not ones to surrender their spirits to the world. Neither was Hannah.
She stopped in front of a coffee-colored mare that evoked her beloved Hershey. The chocolate mare was sold to a neighbor, just days after her mother’s funeral. A tear crept into her left eye. She blinked it back. Crying was pointless. Her slender fingers stroked the mare’s sculpted visage. The nameplate on the stall read Callie. She was going to ride Callie today. 

Sunday, September 1, 2013

Broken Pumpkins

I decided to make the prologue of Miracle at Santa Anita a standalone short story. It's a snapshot of a day in the life of one of the lead characters. It's all backstory, so it could function as a prologue. However, taking it away has no effect on the overall story. I like the idea of publishing it as a self-contained story here. I also welcome feedback, so please let me know of any areas that can be improved (I'm sure there are many).


October 30, 1963

Hannah traced a figure eight in the dust with her black patent shoes as she sat in the swing. People filed in and out of the house, some with food and others with flowers and bottles of liquor. They gave her sympathetic looks from a distance. No one wanted to smother her. Like her mother Carolyn, she possessed a fierce independence. Unlike her mother, she could take a deep breath and pretend those people were stick figures.

The navy blue dress was not her choice. She wanted the cream colored dress her mother bought for her on their trip to Bloomingdales a month ago. The tags were still attached. Her aunt believed navy to be more appropriate for a funeral. She didn’t know how much Carolyn loved the new dress. She stiffened when she recalled her aunt Jane’s hostility.

“Why aren’t you crying?” Jane asked, dabbing her eyes between short sips of wine.

“I’m always crying, whether you can see it or not,” said Hannah.

Jane grabbed the entire bottle of wine and said, “There’s something really wrong with you” before retreating to the patio.

Hannah clenched teeth when she thought about her drunken aunt. A cab arrived and a dark-headed man wearing a suit and aviator sunglasses emerged. He corralled a little girl with auburn tresses over to Hannah. She climbed into the swing next to her. “Daddy, push me,” she pleaded. He pushed her until she was able to propel herself into the sky. Hannah yearned for that kind of innocence.

He looked at Hannah and said, “How are you doing sweetheart?”

It was really the first time that day someone addressed her. Maybe it was her standoffishness or her resemblance to the shattered woman in the casket. They hovered around her father like he was the child.  A speck of dust flew into Hannah’s eye at that moment. She pawed at it as if that would knock it out.

“Blink honey, just blink. It will come out.”

She followed his instructions and everything was fine. She wondered why everything couldn’t be that simple.  

“How long will you be here?” she asked.

He removed his sunglasses as his daughter Marty kept swinging, her auburn hair whipping around in the breeze. His eyes looked sunken in and rimmed with dark circles.

“I told your dad we’d stay for a week. How would you feel about going to Coney Island tomorrow with us?”

She craved normalcy, but she wasn’t sure an amusement park was what she needed.  The high-pitched neigh of a horse reminded her that she needed to tend to the stables. The chaos of the last four days had left them a little neglected and Hannah felt a pang of guilt for it.

“Thank you very much, but I need to stay here and help out. The stables need to be cleaned and I really need to ride Hershey. I haven’t been on her since this whole thing happened.”

Mark inspected his sunglasses and took a handkerchief out of his pocket to polished them until they glistened in the sunlight.

“There’s something we need to talk about,” he said.

She hopped off the swing and said, “We can talk at the stables” and before he could object, she took off. Mark cursed to himself and collected his daughter.

Hannah stopped in front of Hershey’s stall. The mare stuck her head out of the stall when Hannah arrived and she lowered it so the girl could feed her the carrots she had in her pocket.  Mark and Marty arrived before the last carrot was gone. Mark steered Hannah over to a bale of hay while Marty made a beeline for the tack room with a coloring book and crayons in hand.

“You might want to sit down honey,” he said.

She knew him well enough to know that he had news and it wasn’t good. He was her godfather, and a good man. Sometimes she wished he was her father.

“Your dad is selling the farm. He just can’t take it. Your mom was the heartbeat of this place and without her. . .”

Hannah’s throat tightened and her numb heart took a shot of disbelief. She never thought he would sell so soon.

“He doesn’t want you to ride anymore.”

“What?” Now she felt nauseous. He couldn’t keep her from something that was integral to her existence. Riding was in her blood. She looked at her chocolate colored mare and it occurred to her that Hershey would be sold out from under her. The tears came and she leaned on Mark until her ducts were fully dried out.

“You’re welcome to ride anytime you come visit us. I offered to buy Hershey, but your dad said your neighbor already offered. Makes more geographical sense anyway. “

“When are you and Marty flying home?

“Probably tomorrow. The Coney Island trip was your father’s idea. You should take the day to spend here.”

Hannah and Marty sat in the swing on the front porch. Despite their three-year age difference, Hannah didn’t mind spending time with her. It was like having a little sister with no strings attached.  Mark joined them even though he should have been in bed. They watched the realtor put the For Sale sign by the road. Hannah shuddered when she thought of living anywhere else.

The flameless pumpkins saddened Hannah. Halloween was her mother’s favorite holiday and she put more effort into it than Christmas or any other holiday. No less than five jack-o-lanterns inhabited the open space of the porch, albeit minus the inner glow that made their features spooky. Halloween was her mother’s favorite holiday and those pumpkins were her masterpieces. She never did anything halfway. One was a witch and another was a pirate.  Even her Jack Kennedy bore enough of a resemblance to the commander-in-chief. A single un-carved pumpkin was for Hannah and her Cinderella obsession. Carolyn devoted hours to sewing the glittery blue gown. Hannah couldn’t look at it without crying, so it stayed in the closet with the Bloomingdales dress.

Hannah turned her eyes towards her pumpkin and wished it would turn into a carriage to take her to a world where a drunken driver hadn’t killed her mother. She closed her eyes as if she could will that to happen.  The creaky sound of the front door opening brought her back to Earth. Her father strode out with a nearly finished bottle of Jim Beam. He took in the remainder and flung the bottle off the side of the porch. His tear-stained face and bloodshot eyes frightened Hannah. She inched herself closer to Mark, who glared at his old friend with a ferocity she had never seen. Mike picked up one of the pumpkins and flung it into the yard.

“No goddamn trick or treaters coming here,” he muttered.

He proceeded to pitch every somber pumpkin off the porch before storming off inside and slamming the door shut.  Marty nudged her father.

“Daddy?”

“Yes honey?”

“What happened?”

“Mr. Mike is having a really hard time.”

Hannah blinked and tried to erase what she had seen. The tears fought their way out and she broke down in sobs. Her magical pumpkin lay in ruin about a foot away from the realtor’s sign. Mark hugged her like she was his own child and let her cry it out.  She took several deep breaths and wiped her eyes with the handkerchief he gave her.

“I think I will go with you all tomorrow. I don’t want to be here.”

Thursday, August 1, 2013

Committed to my craft or just flat out crazy?

I'm a pretty visual person, so I really need pictures in order to write good descriptions. A serendipitous job interview placed me in the area of Houston my character lives and works, so I enlisted my camera and shutterbugged my heart out while wearing a dress and heels in 100+ degree weather. And yes, I looked like a tourist in the town I have called home since 1998. I have two settings of pivotal moments in the setup of my novel Miracle at Santa Anita. The beginning and the end are Houston-centric. The middle is in California, so I'm going to have to rely on other peoples' pictures and Internet research for that.

The Transco Tower, now the Williams Tower. I'll always call it the Transco Tower though:


Not a very easy picture to get because of the complete lack of decent parking in the area. People say Houston has the worst traffic. I am more bothered by the parking. So, I found a parking lot and hoped there were no tow trucks around. As luck would have it, they stick to the freeways. I darted across the street after checking for traffic and was able to get an unobstructed view of the building. Actually now that I've thought about it, I probably need to be committed to a padded room or a straightjacket for all this running around like a certain frog character in a video game. Then again, writers have never been what you call normal.

House of Pies, a Houston institution and favorite late night hangout for drunks once the bars and clubs have closed. There is actually a Hangover omelette on the menu. Go figure. I just had a hamburger and called it a day.




Monday, July 15, 2013

Why novelists should enter the BlueCat Screenplay Competition

Once upon a time, I wanted to be a screenwriter. I'm not sure why I thought a script was the best medium to tell my story. Scripts are on a different planet from novels in the storytelling universe. It's okay to offer up details and use lengthy prose if it serves your novel well. In contrast, screenplays are basically blueprints for movies. Details and prose may make it difficult to stay at 120 pages or less, which is the industry standard.

That is not to say that you shouldn't write a screenplay. On the contrary, it could change your life. A couple of years ago when I entered my script Miracle at Santa Anita into the BlueCat Screenplay Competition. For a $60 entry fee, you receive not just one, but two written analyses. You even have the opportunity to rewrite the script and resubmit it for a reduced fee. Each write-up is a very thorough assessment of your story and what its strengths and weaknesses are. My weakness was that my prose was too "novelistic," which I didn't take as an insult. I fleshed the characters out more and wrote a novel using BlueCat's feedback as a tool.

Gordy Hoffman founded BlueCat back in 1998, and since then it has grown into a one of the most recognized screenwriting competitions in the world with a community of over 13,000 writers. Past participants have gone on to secure industry deals and recognition. Aaron Guzikowski was a finalist in the 2005 competition with his script Prisoners. That script went thorough all the Hollywood channels and is set to come out in September with Hugh Jackman and Jake Gyllenhaal in the starring roles.

If I haven't already gotten my point across, I'm just going to say BlueCat is awesome for writers, so JUST DO IT.

Go to http://www.bluecatscreenplay.com/ for more information.

Saturday, July 13, 2013

From character bio to short story

I was never a big believer in writing out character biographies until I received feedback from an editor about a character who just popped up in my novel for no apparent reason. This Marty character probably needed to serve some purpose and I just threw her in to see what would stick. My editor was right and that character now has more of a backstory that explains her presence. My biographical experiment turned into a short story about the main female character in the novel. Now Marty has an explanation, even if it's within the context of a primary character's backstory.

You can read the entire short story here for 2.99  http://www.scribd.com/doc/155496659/Hannah-Strong

If you have a Kindle or Kindle app, download it from http://www.amazon.com/Hannah-Strong-ebook/dp/B00DUFQZUG/ref=sr_1_1?ie=UTF8&qid=1374246861&sr=8-1&keywords=hannah+strong

Both the Prologue and Chapter 1 of the novel Miracle at Santa Anita are available to read for free on scribd.

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